Studio Sound Recording

Studio Sound Recording Sound Recording engineers operate and maintain sound recording equipment. They may also work special effects equipment. These engineers install, test, repair, set up and operate the electronic equipment used to record and transmit radio signals. They regulate the signal strength, clarity and range of sounds and colors of recordings or broadcasts. They also operate control panels to select the material's source. Course will cover basics of sound recording and reproduction, Music recording using Digital Audio Workstation, Analog and Digital Audio, Signal flow in mixing console. Mikes On-location recording, Dubbing Various, Recording formats, Mixing-mono, stereo processing, Introduction to sync sound. Use of compressor, Limiter and Noise Gate, Sound Effects, Sound Layering, Sound monitoring, Digital Electronics, studio maintenance and installation, Dolby and DTS formats. Sound recording is a technical job, which has to be tackled with, expertise In keeping with the mood & theme of the narrative material being developed. The use of artificial and natural sounds and their place within the context of the film is exactly explored. This training helps students to understand the techniques involved in the recording of dialogues, music and sound FX for Films, TV Serials, Documentaries and Ad Films. Now you can learn Sound Recording on Digital Audio Workstation & create your own music at home. Our Top Faculties are Award Winner Satish Gupta (FTII), Pradeep Routray (FTII), Brajesh Pandey, Monty Sharma, S.D.Sharma, Jayant Haldar, Arup Dey, Sajid Khan, Dilip Sen & Uday Kamat.

Certification

We have Certificate and Diploma Courses in Studio Sound Recording for 4/6 months with 100% Placement Assistance & Internship Option. Our courses are Flexible & Customized, Regular Weekdays & weekends, and Full-Time / Part-Time Batches are available. We have a Rolling Admission Policy for the benefit of students. Admissions for current batches have started from 11th November 2024. Live Classes & Practicals will begin from 14th December 2024. Hurry Up Limited Seats, registration will be on a first-come, first-served basis, with 24 Students in One Batch Only. (18 Seats are Available for National Students & 6 Seats for International Students Only) Confirm your seat before 25th November 2024.

Course Featured

  • 3 Hours Theory Classes
  • Practical Classes 8 Hours
  • 5 Sessions a Week
  • Film Screening
  • Film Shooting
  • Film Appreciation
  • Hands-on Practical
  • Visiting Film Location
  • 150 Class Rooms Sessions - 500 Hours Classes - Divided into 100 Hours Theory & Screening with 400 Hours Practical Classes & Film shooting.
  • During the Course Student will have to make 8-10 Films ie One Shot Film, Three Shot Film, 7 Shot Film, 1 Ad- Film, 3 Short Films ( Duration 2- 5 Min), 1 Music Video, 1 Documentary Film ( Duration 2-10 Min) & 1 Diploma Film ( Duration 2-10 Min)

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REGISTER ONLINE FOR 2024 - 25

Course Content

  • The Decibel
  • The Human Ear / Sound Levels
  • Acoustic Power Measurements
  • Electrical Measurements
  • DBm, DBv, DBu Measurement
  • Basic Electronics
  • Connections / Transmission Data
  • Masters / Slaves
  • Programme Channels
  • MIDI Modes, MIDI Messages
  • Computers And MIDI
  • MIDI In Live Performance
  • MIDI In The Recording Studio
  • Implementation Charts
  • Sound and Vibration
  • Wavelength/ Hertz
  • Phase
  • Headroom
  • Gain structure
  • Frequency ranges
  • Frequency response
  • Fletcher Munson contours
  • dBA.dBB.dBC
  • Condenser Microphones
  • Dynamic Microphones
  • Electret Microphones
  • Ribbon Microphones
  • Directional Characteristics
  • Polar Patterns
  • Dual Diaphragm / Dual Pattern
  • Measuring Polar Response
  • Proximity Effect
  • Impedance / DI Boxes
  • Wind Noises
  • Phantom Power
  • Microphone Technique
  • Close & Distant
  • Binaural / Stereo Sonic
  • X-Y / M-S / A-B Stereo Recording
  • Phase Cancellation & Reinforcement
  • Common Mic Techniques
  • Makes Of Microphones
  • Amplifiers
  • Front Of House / Monitor Systems
  • Speaker Systems / Wiring
  • Three Phase Power
  • Tuning / Pink Noise
  • Cabs, Wedges
  • Microphone Use
  • Live Acoustics
  • Feedback / Graphic Equalisers
  • Matrix Consoles
  • Signal Processing Devices
  • Live Mixing
  • Modern Recording Studio Consoles
  • 8-Buss Consoles / Floating Buss
  • In Line
  • Patch Bay
  • Input Section
  • Monitor Section / Sub-Master Section
  • Assignment Section
  • Auxiliary Section
  • Signal Path
  • Talk Back / Communications
  • Master Section
  • Modern Recording Studio Consoles
  • Low / Mid / High Frequency EQ
  • Phase Shift
  • Filters: Notch, Band Pass, High Pass, Low Pass
  • EQ – Parametric
  • Sweep
  • ShelfGraphic EQ
  • Active & Passive Equalisation
  • EQ Effect On Level & Dynamic range
  • EQ Techniques & Aapplication
  • Compression
  • Threshold
  • Ratios
  • Pumping & Breathing
  • Attack & Release
  • Special Effects
  • Voice-over Compression & Dducking
  • De-esser / Expander / Limiter
  • Noise Gates, Gating Technique
  • Using Compressors
  • Advanced Recording Techniques
  • Music Mixing & Mastering
  • Advanced Mixing & Editing
  • Techniques
  • Mixing With I/O
  • Advanced Routing
  • Advanced Fade Techniques
  • Combining Plug-ins & Outboard
  • Effects
  • Advanced Automation Techniques
  • Advanced Group Techniques
  • Working With Playlists
  • Reverb Time (RT60)
  • Echo & Delay
  • Digital Delay
  • Diffusion
  • High Frequency Damping
  • Pre-Delay
  • Convolution Reverb
  • Doubling
  • Reverb Plate / Spring / Chamber
  • Digital Reverb / Diffusion / Pre-delay
  • Harmonisers / Aural Exciters
  • Flanging / Phasing / Chorus
  • Samplers
  • Modulation
  • Pitch Shifter
  • Grade 1 Music Theory
  • Chords And Keys
  • Music Notation
  • Slurs And Ties
  • Tempo
  • Key Signatures
  • Systems Overview
  • HD/Mbox
  • Mix Window
  • Edit Window
  • Time Line
  • Regions
  • Grabber / Trim / Select Tools
  • Routing
  • Inserts/Sends
  • RTAS Plug-ins / Audio Suite
  • Slip / Grid / Shuffle / Spot Modes
  • Instrument Tracks
  • Rewire
  • Non Destructive Editing
  • Importing Media
  • Record & Playback
  • MIDI In Pro Tools
  • Using Markers
  • Nudging Regions
  • Bounce To Disc

Career Opportunities

Students get Opportunity to wok as as Sound Recordist, Sound Engineer for Films, Tv Serieals, Webseries & Production House.

Students Feedback

Our Faculties

Satish Gupta is a sound engineering graduate from FTII working in the Indian Flm industry for last 4 decades. His credit has chartbusters like Bheege Honth Tere, Kaho Na Pyaar Hai & Sandese Aate Hain from the FIlm Border for which he won the Zee Cine Award for best song recording. He has also won the IIFA awards for best song recording for Kache Dhaage, Kaho Na Pyaar Hain, Koi Mil Gaya & Murder.

One of the most popular sound engineers from FTII who has recorded more than a thousand super hit songs with almost all singers, music directors and has been in the music industry since 1989, he is the head of sound design & music production department at Mumbai Film Academy.

Sajid Khan is a sound engineer having practical knowledge of recording dubbing mixing & mastering. He has an experience of more than 20 years and has recorded & created more than two thousand songs for the Indian music industry, he is an arranger for some of the hit film songs & music albums.

Arup Dey is one of the most liked and popular audiographers of bollywood who has been working with JJ Digital Recording studios. He is an expert in music mixing & mastering. He is an arranger for some of the hit music albums. He has recorded top singers like Sonu Nigam, Sunidhi Chauhan, Shreya Ghoshal, Neha Kakkar, Shaan, Mika Singh & many more.

Jayant is a specialist in Fnal sound designing. He teaches Flm mixing, dubbing & surround sound. He is a sound mixing engineer having decades of experince as a sound designer with more than 100 Flms. Some popular Flms mixing done by him are Rock On, Taare Zameen Par, God Tussi Great Ho, Ghajni, Dostana.

He began his journey as a lm sound recordist from Famous Studios & Bombay Film Laboratories working with legendary music directors in the golden era of music. Later he joined Film Center & teamed up with Salil Chaudhary, Kalyanji Anandji, Viju Shah for lms like Tridev & Mohra. He enjoyed working with R.D Burman for lms like Parinda & 1942 Love Story.

S.D. Sharma is an experienced sound designer, programmer, music composer & a master in digital audio orchestrations having experience of over 20 years who trains students in Electronic Music Production. He has been training students of Mumbai Film Academy.

Rajib Choudhary is a music director having practical knowledge of music arranging, recording dubbing mixing & mastering. He has an experience of more than 25 years in Film music and has composed more than thousand songs for various singers from Indian music industry, he is an arranger for some of the hit music albums & Films.

Dilip Sen is a composer, known for Yeh Dillagi, Aaina and Ziddi. He is one of the most popular music composers teamed with Sameer Sen. He takes special lessons to groom singers for professional Flm recordings. He has composed songs for movies like Ishara - A Dangerous Mission, Icy N Spicy, Masoom Mohabbat, Ishaara, Jalwa, Mission Mumbai, Soorma Bhopali.

Mr. Uday Kamat is a Maharashtra state award winner for music direction. He joined the institute in 2006 & has mentored more than a thousand singers. He is an expert composer, arranger & singer. He has recorded music albums for Anup Jalota and many other composers, he has complete knowledge of latest trends in digital music recording.

Zakir Sadani is an expert faculty for rhythm at Mumbai Film Academy and trains students in Laya & Taal. Zakir Sadani is a popular rhythmist playing in live shows in India & abroad. He is a popular folk singer performing in live shows with his band.

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Students Rating

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Average Rating
Mumbai Film Academy

Chirag Shah

Cinematographer
Namskara, I am Chirag Shah i have completed my 6 Months advance Diploma Course in Cinematography & Lighting Course at Mumbai Film Academy. Talking About Training Experience i would love to thank you to my faculties (Ajay Sir, Ashutosh Sir, Roshan Sir Etc.) for polishing my my skills, making me more curious about shorts, frame, and the whole camera techniques. also thank you to Anil sir and all the management staff whose been part of my film making journey.

Yogesh Gaikwad

Cinematographer
Hello there this is Yogesh Gaikwad i have recently done my 1 Year Diploma Course in Cinematography & Lighting Course. The 1 Year experienced was truly amazing having great faculties is definitely a plus point i have learn from best faculties like Ajay Tandon Sir, Dhruvan Sir, Ashutosh Sir, Nazir Sir and Many more they all were gave us more practical than theory its help us to explore more... last Thanks You Mumbai Film Academy for great experienced & Great Faculties.

Kai Kuruma

Film Director
Hello I am Kai from Japan I am very interested in Films especially Indian Cinema. When I got an opportunity to learn Film Making & Direction at Mumbai Film Academy I was thrilled as I got an opportunity to shoot at Film city with the entire crew. The faculty here is highly qualified and experienced. The management takes special care of International Students. i am glad that i chose the Mumbai Film Academy
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